to their glorious racket.
You released two albums on Billy Childish's Hangman label in the 1990s, then disappeared. What went wrong?
Arfur: We had a punch-up. We'd been getting on each other's nerves and tensions came to a head during a gig. We ended up twatting each other. We got back in touch earlier this year.
You play folk with the intensity of punk. How do the beard brigade react?
A: They hate us!
Brod: The folk crowd give us a hard time because they think we shouldn't be tampering with traditional music. We had a squeezebox player walk out of a recording session once because he didn't like what we were doing.
I'm not sure if it's punk or folk. Folk punk, trash folk - I don't care to pigeonhole it. All I know is it that annoys the hell out of some people.
Where does your inspiration come from?
B: I just write about people I know. We come from Rochester, which is a strange place. Most of the people used to work in the dockyard, until they closed it and 24,000 people became unemployed overnight. That's why there's a strong tradition of performance in the Medway area, because people have time to put on shows. You don't get a thing five miles away in fucking Maidstone.
The Complete And Utter Singing Loins compilation is available from Damagedgoods.co.uk. For more go
to Singingloins.co.uk


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